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Blade Runner 2049

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In 1982, Ridley Scott’s Blade Runner had an expectation of LA in 2019 that we will likely fall short of: flying cars and android slaves passing as human (called replicants). It painted a dystopian future (is there any other kind?) of dark moodiness and a staggering loss of basic humanity. On that front, we’re a little closer. I wasn’t a huge fan of the original. It had amazing visuals and production design, and thoughtful writing, but I was subjected to the original cut, which had that awful voice-over that managed to ruin an otherwise thoughtful and quiet piece. Blade Runner 2049 capitalizes on the world of the original, and creates a more engaging, more thoughtful, if less stylized film.

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