Category Archives: movies

Marvel re-view – Phase One

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Because I’m a nerd I watch and enjoy a lot of movies, and comic book movies especially. And because I’m an obsessive nerd I often make lists and rankings for no reason other than to express my joy and amusement (or lack thereof) on any given set of parameters. It’s not uncommon for my friends and I to talk about our list of the best Marvel movie with every few releases. I haven’t done this in a few movies and I’m actually quite curious, and given that this month will see the 18th Marvel movie (Avengers: Infinity War), its biggest yet, I decided to revisit all the Marvel movies before redoing my rank after viewing Infinity War. Some I’ve only seen once, others I can’t even count, but now I’m rewatching with this specific focus in mind. Here I’ll recount my thoughts as I work through each phase, before unveiling my list in May after the Avengers has time to settle.
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Ready Player One

READY PLAYER ONE

Keeping the spirit of the nostalgia porn novel it’s based on, if not the specific plot, Ready Player One simplifies and adjusts a lot of the source material. In doing so, it’s alleviated some issues (the deus ex Morrow of the book was the weakest aspect that is thankfully excised here, also WAY less Rush), but it’s created a slew more. While it’s s visual feast, the entire film is a series of easter eggs whose major theme is the celebration of easter eggs, it excises too much of what made the book great (an almost singular focus on 80s nostalgia) and replaced it with dumber methods of getting the plot from point A to point B.

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Isle of Dogs

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I will say that maybe this wasn’t the best movie for my frame of mind right now. While I’m generally a fan of Wes Anderson (even his weakest effort, The Life Aquatic with Steve Zissou has its moments), I’m still in recovery after the death of my own pup. A movie about a bunch of dogs rejected by their owners and suffering was going to hit me pretty hard. While I wouldn’t call it upper level Anderson (The Royal Tenenbaums, Rushmore), it was still fun and entertaining and even in animation still follows the usual Anderson tropes (omniscient narrator, fancy fonts, brilliant art direction, dark humor).

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Flower

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Going into a movie cold can be a pretty astounding experience. There are no pre-conceived notions, no spoilers to work through, or scenes from the trailer leading you a certain way. I saw Flower because I heard it was “interesting” and I remember Zoey Deutch from last year’s Rebel in the Rye, where she dazzled in a minor role. She pretty much breaks out here, the central figure in a charming indie, that unfolds somewhat surprisingly.

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Tomb Raider

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Video games don’t have a great history of translating to the big screen. Conceived, historically, as a single-person active experience, it loses something by trying to make it a passive experience for a mass audience. The original two Tomb Raiders eschewed story for action and treated the titular and iconic Lara Croft character as an homage rather than a transfer of the same character to a different medium. This Tomb Raider, while still maintaining the action scenes of the first movie, finds inspiration from the more grounded video game reboot of 2013.

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Love, Simon

lovesimonRomantic teen comedies deal with similar tropes – the awkward crush, the grand declarations of love, the out-of-place dance sequence. Love, Simon hits all those notes, with the only difference being that the central character is gay. While there are ways that the film pushes the confines of the adolescent angst usually found in these films, it still bears the same mediocrities that limits its heterosexual counterparts as well.

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Thoroughbreds

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In the same vein as Heathers before it, Thoroughbreds is pitch-black drama with enough charm and humor to make it entertaining. It’s a slow and thoughtful film that takes a fairly simple premise and plot and deepens it with rich characters and fine performances. I was disappointed in the ending, but it didn’t lessen the impact of the movie and my general impression of it.

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A Wrinkle in Time

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I’m not remotely familiar with the source material, but I am a fan of Ava DuVernay so I thought I’d give A Wrinkle in Time a shot. I can cut it some slack given that it’s a movie targeted to a different demographic than mine, but given my penchant for superheroes and cartoons, I really can’t forgive that much. This movie is weak, across all levels. The story doesn’t flow or make any sense, the acting is forced with each of the actors seemingly in different movies, the dialogue stilted, and the visuals might be interesting, but untethered from reality and thus feel like a cartoon backdrop.

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Red Sparrow

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I’m curious what is going on with Jennifer Lawrence and her choices lately. Though I loathed Mother!, I can see why she was drawn to it, especially as it was written and directed by her at-the-time boyfriend. But I really have no idea what drew her to this mess of a movie. Getting to do a terrible Russian accent? To put herself in a position of getting exploited by the movie (both as a character and a performer)? Who’s to say? But honestly, while I wasn’t expecting much from Red Sparrow, I did secretly wish it would be successful so that it could act as sort of harbinger of an as-yet-not-greenlit Black Widow movie. Russian spy action heroine solo flick – there are parallels. Alas, this could only damage that prospect.

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Annihilation

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I read somewhere that before he adapted Jeff VanderMeer’s novel, writer-director Alex Garland (writer-director of Ex Machina, writer of 28 Days Later and Never Let Me Go, and the novel The Beach) opted not to re-read the original novel but instead did the script from memory to give it a dream-like quality. This is evident on screen as the entirety of the thoughtful, interesting, slow-moving but creepy and confounding Annihilation has an ethereal quality that flows between each scene.

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